Follow me on Twitter @jamieford and on Instagram jamiefordofficial

Monday
Nov192007

"The first thing we do, let's kill all the lawyers"-- Henry VI, William Shakespeare

Kill%20all%20the%20lawyers.jpgBut don’t start until tomorrow. Because I’m meeting with one this afternoon to set up an S-corp. Yes, Bittersweet Productions is coming to an IRS tax-bracket near you.

After much fasting, prayer, reading of tea leaves and consulting my magic 8-ball (It said, “All signs point to YES.”) I’m incorporating my writing life. Why? So I can write off my travel and research. So I can write off the chronic repairs to my iMac G5. So I can write off the hosting fees of this blog––you get the idea.

This is new territory for me. My accountant says I should do it, and I trust him, even though he’s a senior partner in the firm of Bandini La Cosa & Nostra. When I last met with him I think someone called and asked to “put a nickel on the Cowboys”. Not sure what that was all about.

Thoughts on the biz side of writing? Bueller? Anyone…anyone?

Friday
Nov162007

I was the man in the gray flannel suit

HOTEL UPDATE: I sent the “final” manuscript to my editor yesterday, about a month ahead of my deadline. I have a hard time imagining this as the final version. If I allowed myself, I could probably second-guess (worry about?) every word.

Man%20in%20the%20gray%20flannel%20suit.jpgIn my past life, I was an ad guy.

I went to art school to become an illustrator, but I always had concepts outside the scope of my own limited artistic abilities––so, I became an art director.

It’s a weird job and one that’s hard to explain. When my mom would ask, “Did you take that photo?” the answer was, no, I came up with the idea and then hired someone to do it. Or hired someone to illustrate it. She’d smile, obviously impressed, then ask, “So...did you take that photo?”

Eventually I worked my way up to Creative Director––a CD as we’re known in the ad world. I still functioned as an art director, designing ad campaigns, but gradually spent more time writing them. I also managed a stable of writers, art directors and designers, which was the best part. When someone asked what I did for a living, I’d just say, “I care for the watering and feeding of the animals.”

Sometimes I’d have to shovel out the stalls, too.

But I didn’t dream of working in advertising. Who does? That’s like dreaming of growing up to be a department store Santa, or a phlebotomist (I’m a frequent blood-donor, by the way. So to all you phlebotomists out there, I ain’t mad at ya, I ain’t got nothing but love for ya). Advertising is just not one of those classic 3rd grade career goals: fireman, astronaut, marketing exec?

So what did I dream of doing way back in the 3rd grade? I wanted to be a comic book artist. I wanted to grow up to be Jack Kirby (without the cigars) or Steve Ditko (without the Objectivism). Later I wanted to be Frank Miller (without the blood) or John Byrne (without the curse). Going to art school was just the grown up, responsible, practical version of that childhood dream.

And ya know, I’m happy to report that the childhood dream is still alive, slowly stirring from its 15-year coma. I’m working on a script for secretidentities.org––the Asian American Superhero Anthology (I reported on it in September). I’m concepting and writing, not drawing, but that’s fine with me. I’m used to having my confused relatives look at my work and ask, “Did you draw that picture?”

So while we’re walking down memory lane, what did you want to be when you grew up? Did you get there? Are you still trying?

Monday
Nov122007

Write your own dang headline

writerspicket.jpg

If a picture is worth a thousand words, then this is what a writers strike should look like. Thanks to my buddy, Eric Heidle, for nailing this one on the head.

I've been too busy editing and working on a script for a graphic novel to read why the Writers Guild of America is striking. If I were to hazard a guess, I'd say it's probably related to the dissemination of shows via the Internet. Either that, or someone wanted to bring back Full House. (I'd go on strike too).

Does anyone remember the last writers strike? I was in college. I don't remember it for the lack of shows or the dearth of re-runs. I remember it because some studio exec enlisted the inemitable comic artist, Frank Miller, to cross the picket-line and pen the script for RoboCop II.

Strikes do indeed hurt us all.
 

Thursday
Nov082007

I love it like a sick, three-legged puppy

kane.gifI love Sherman Alexie. Okay, love is a strong word. Let’s just say I’m a huge fan of his prose and storytelling ability.

Nah. Screw that. I love Sherman Alexie. Yes, you heard me.

And his new book, The Absolutetly True Diary of a Part-Time Indian–– I love it like a mother loves an ugly baby. I love it like a hacker loves Internet Explorer. I love it like little pink-dress-wearing girls love Hello Kitty pencil toppers. I love it that much.

But don’t take my word for it. This quote from Neil Gaiman pretty much sums it up: “Excellent in every way, poignant and really funny and heartwarming and honest and wise and smart…I have no doubt that in a year or so it’ll both be winning awards and being banned.”

It’s Alexie’s first foray into YA territory (for more mature kids) and is a painfully funny read for adults that still haven’t grown-up. Did I mention that I loved it?